Re: Le groupe français 2016 - 2018 Les Voyageurs
Posted: Tue Oct 02, 2018 9:21 pm
Here are some of my favorites that are, I think, in reach of a low-intermediate reader:
(I'm being lazy, so I took all the blurbs from Goodreads)
Guy de Maupassant - Bel ami. Guy de Maupassant's scandalous tale of an opportunistic young man corrupted by the allure of power.
André Gide - La symphonie pastorale. In beautiful, evocative prose, Gide's short novel explores such themes as love, blindness, honor, and mortality.
Jean Giono - L'homme qui plantait des arbes. The hero of the story, Elzeard Bouffier, spent his life planting one hundred acorns a day in a desolate, barren section of Provence, France. The result was a total transformation of the landscape -- from one devoid of life, with miserable, contentious inhabitants, to one filled with the scent of flowers, the songs of birds, and fresh, flowing water.
Marcel Pagnol - L'eau des collines (Jean de Florette and Manon des Sources). In Jean de Florette and Manon of the Springs, Marcel Pagnol achieves the fullest and most satisfying expression of a story that haunted him for years, a Provencal legend of vengeance exacted by a mysterious sheperdess.
Alain-Fournier - Le Grand Meaulnes. In a small village in the Sologne, Fifteen-year-old François Seurel narrates the story of his relationship with seventeen-year-old Augustin Meaulnes. Impulsive, reckless and heroic, Meaulnes embodies the romantic ideal, the search for the unobtainable, and the mysterious world between childhood and adulthood.
All of these will introduce you to new vocabulary, so the first couple chapters might be slow-going. Once you learn the author's voice, though, the stories will flow. All of these guys write in an elegant but straight-forward manner, without a lot of flourishes or modernist (or, shudder, post-modernist) tics.
And then ... when you're ready to go for it:
Victor Hugo - Les misérables and Notre-Dame-de-Paris. No blurb is necessary for these, right? Here's the thing with Hugo: he tends to go on long digressions that don't always relate much to the plot, especially in Les misérables. But when he gets back to the main plot it's a roller-coaster action ride. And they are two amazing rides. The digressions can be a pain. The main plots are accessible to everyone.
(I'm being lazy, so I took all the blurbs from Goodreads)
Guy de Maupassant - Bel ami. Guy de Maupassant's scandalous tale of an opportunistic young man corrupted by the allure of power.
André Gide - La symphonie pastorale. In beautiful, evocative prose, Gide's short novel explores such themes as love, blindness, honor, and mortality.
Jean Giono - L'homme qui plantait des arbes. The hero of the story, Elzeard Bouffier, spent his life planting one hundred acorns a day in a desolate, barren section of Provence, France. The result was a total transformation of the landscape -- from one devoid of life, with miserable, contentious inhabitants, to one filled with the scent of flowers, the songs of birds, and fresh, flowing water.
Marcel Pagnol - L'eau des collines (Jean de Florette and Manon des Sources). In Jean de Florette and Manon of the Springs, Marcel Pagnol achieves the fullest and most satisfying expression of a story that haunted him for years, a Provencal legend of vengeance exacted by a mysterious sheperdess.
Alain-Fournier - Le Grand Meaulnes. In a small village in the Sologne, Fifteen-year-old François Seurel narrates the story of his relationship with seventeen-year-old Augustin Meaulnes. Impulsive, reckless and heroic, Meaulnes embodies the romantic ideal, the search for the unobtainable, and the mysterious world between childhood and adulthood.
All of these will introduce you to new vocabulary, so the first couple chapters might be slow-going. Once you learn the author's voice, though, the stories will flow. All of these guys write in an elegant but straight-forward manner, without a lot of flourishes or modernist (or, shudder, post-modernist) tics.
And then ... when you're ready to go for it:
Victor Hugo - Les misérables and Notre-Dame-de-Paris. No blurb is necessary for these, right? Here's the thing with Hugo: he tends to go on long digressions that don't always relate much to the plot, especially in Les misérables. But when he gets back to the main plot it's a roller-coaster action ride. And they are two amazing rides. The digressions can be a pain. The main plots are accessible to everyone.