AroAro » Wed Nov 02, 2022 3:40 am
Le Baron wrote:
For me Amelie Nothomb is in some ways no better that Ernaux. She's saved by the quality of her dialogue. In fact she'd have been better off as a playwright. Her descriptive prose is sketchy and like Modiano most of the writing seems to be about her. Nowadays, unlike e.g. Graham Greene, little attempt is made to mask the autobiographical elements; in fact they are the core of the work.
I’ve read only “Stupeurs et tremblements” by Amelie Nothomb so I cannot judge her literary output but I liked this book (probably because I had some similar experiences related to a toxic work environment in an accounting department so the book touched the right cords with me). Nevertheless, I’m not interested in reading her other books because I don’t buy that aura of controlled extravagancy around her (big hats, black lipstick), publishing one book each year, claiming that her drawer is already full of manuscripts just waiting there for their turn to be printed and so on. I’m happy for her though, that she succeeded in gaining visibility and fame on the literary scene/market. It’s not so easy with so many writers and aspiring writers, so kudos to her (and her literary agent, I guess).
Ok folks you have hit a nerve with me here. I loved her “Stupeurs et tremblements” and believe her writing is magnificent. We have no one like her in America. Her voice is truly unique. I have read at least 5 of her books and believe she is totally refreshing voice.
I don't think her hats are a good idea for her. She should not appear in public.
I could talk at length on her but I don't want to bore you folks.
She is a person in perpetual emotional breakdown and I totally respect her anguish and flailing about. You guys have your stuff together but she does not; I totally respect her efforts.
Having had a total nervous breakdown I identify with others who go through that anguish.
Check this out:
Count yourselves fortunate you have never had to make that journey.