SGP wrote:A little anecdote: The first Computer Bug was, reportedly, a physical, non-metaphorical, biological one. I.e. an insect. A moth, to be more specific. It was found by a woman called Grace Hopper [yesss]. If what the German Wikipedia mentioned is true, the term itself has been used by engineers for a long time before that First Generation Computer even existed.
I never heard this before.
SGP wrote:However, one should keep in mind that they are, somehow, dated. A non-official slogan, made up by one of the reviewers, is "Speak like a diplomat from 1961".
It's my hope that by continuing to listen to Spanish language podcasts, watch telenovelas, and read...speaking like a 1961 diplomat is not my ultimate fate
But, I do think what you point out here is a problem of over reliance on any one resource. It's my hope to use one of these three grammar books to build a foundation, not an entire house.
Do you have any ideas that could be useful for the starting phase of a log like this? I.e. what I could write about, or what types of art I could take a closer look at for a start, like paintings of some landscapes, precisely drawn flowers, or anything else?
Mentally I kind of categorize visual art as separate and distinct from language. Of course, in the real world nothing is discrete from anything else.
Topics where written language and visual art deeply intersect may interest you:
--
Comics--
Calligraphy--
Typography--
Graffiti--
Emoji--
Concrete Poetry--
Visual Poetry--
Asemic writing--
Calligraffiti--
ASCII artAreas where sometimes visual arts include written language:
--
Commercial art often incorporates written language, sometimes in very creative ways
--
Religious art, especially in a strict "no graven images" scenario, sometimes results in very interesting images that make extensive use of written language.
You could also look at artists who try to represent sound in a visual medium. In some cases we might be talking about use of
onomatopoeia in comics--this is an area where Japanese artists particularly have raised the bar. Or you may want to look at
Synesthesia in Art.
In terms of subjects of paintings: this is a fairly difficult thing to recommend. I think it's generally easier to identify some works by an artist that you already like, and then either identify the movement that the artist was a part of, or identify the time and place where the artist lived. From there, you would discover works by the peers of the artist you like. After that, you would look into artists influenced specifically by your favorite artists, or artists that were an influence on your favorite artists.
More or less, just because you like
an impressionist landscape, there's no guarantee that you will like
a cubist landscape.
If you want to broaden your tastes beyond things similar to what you already know, there really is nothing better than just periodically going to touring exhibits at your local art museum, or carefully going thru their permanent collection if you have not already. Once you have identified works that you like, you would do the same as above, but with artists you identified from the museum.
I also really recommend looking for art that specifically depicts where you live, is by working artists where you live, or mural arts in your area. This may not tie into your other goals, but it can be a source of wonderful experiences, or change how you see places that are already familiar to you.